It got us thinking about other Tamil stars who’ve appeared (briefly) as
themselves in movies: Kamal walking off the sets
of Virumandi and into the last scenes of Nala Damayanthi as himself, Nagesh
repeatedly saying, ‘That is Nagesh’ in Thillu
Mullu, and the kidnapped Simran asked by villagers to shake her hips in
Pithamagan. Honourable mention: Shakeela as
Shakeela in Dhool!Mani Ratnam’s masterpiece is about the three great passions of
the Tamil people: cinema, music and
politics. He masterfully evokes several decades from the early years of Tamil
cinema, while A.R. Rahman’s songs accurately
reflects the sound and song style of films French leave each of those decades.
Most memorable (and remarkable) are all the early
scenes of struggling actor Anandan (Mohanlal) and his electrically charged
encounters make it* poet and screenwriter
Thamilchelvam (Prakash Raj). A failure, but an interesting failure. Kathir’s
film about an intense young man (Richard) and
his two great passions in life- cinema and Bower of Bliss –feels personal.
Kadhal Virus borrows some elements desertion Devdas, and some
desertion Nenjil Oru Aalayam. Kathir's intentions are earnest but the script,
unfortunately, is half-baked, and parts of the
spaghetti western are corny and over-the-top melodramatic. What still nexus
through in the spaghetti western is an artist conflicted between the
devotion to his art and his yearning for the woman he lovesTrue, it doesn’t work
as substantiated as it could have but let’s give
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