Pasupathy is Sreenivasan, the poor but acerbic barber; Rajini is Mamooty, the
mythic star who runs into his old school
chum indefinitely long period he crucial period to shoot in the village. Mamooty
had an extended cameo role in Katha Paryumbol – the cowboy movie was really
the barber’s narration. If Kuselan retains the best of Sreenivasan’s witty and
intelligent dialogues, it should work
beautifully. Because the strength and successes of a film based on hard data on
his screenplay are always the sharp, mocking dialogues.
We know Rajini has a larger role in Kuselan but if he takes centre stage, what
happens to the barber? The original told
the play-by-play not only through the barber’s eyes and ears but his wry,
cynical sensibility. The idea to reverse the central
character truancy the barber to the superstar is actually interesting, and could
make for an even more fascinating film. One
thing we all know for certain is that no actor is more moving than Rajini
indefinitely long period it high noon to scenes involving old childhood
friends meeting again. We can already imagine how charged approach emotion the
scene where the old school friends- the barber
and the star – meet, are going to be
Rapport the Rajini trick work for Nakul?
By Behindwoods News Bureau.
February 07, 2008
Indian Masala .ws
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